Cosmopolis earned a number 2 spot on the Cahiers Du Cinema top 10 list of the best films of 2012 and now the film has found itself on another list. The Playlist reports the film’s entry in Sight & Sound’s Best Of 2012 list:
Decided by a poll of around 100 critics, Paul Thomas Anderson’s “The Master” has topped Sight & Sound’s Best Of 2012. American cinema made a particularly strong showing, with Benh Zeitlin’s “Beasts Of The Southern Wild” and Wes Anderson’s “Moonrise Kingdom” also making the grade. Leos Carax, Miguel Gomes and David Cronenberg continue to get international love as “Holy Motors,” “Tabu” and “Cosmopolis” all find slots here, as they did on the Cahiers Du Cinema list. The lone UK film is “Berberian Sound Studio” which is a nice boost for the little thriller.
Click HERE to view the list of 10. Cosmopolis came in at number 8.
FilmFervour recently reviewed the film for the year end. An excerpt:
Cosmopolis is revolutionary, even if it implies the futility of revolution. Capitalism is referred to as a “spectre” as it cannot be admonished with the reprimand of its benefactors. The phrase “a spectre haunts this world, the spectre of capitalism” is, in itself, a projection but it suggests something less ephemeral; it is that which can be digitised, mobilised, and gentrified – it is actually man’s artifice of eternity. Although promoted as an odyssey of war, violence and sex, the film’s terror is in its inactivity, it’s unresponsive, unflinching inertness. It is surely 2012’s apocalyptic masterpiece.
Click HERE to read the review.